Corey Carbonara, director of the digital communications technologies project at Baylor University, received the Nat Tiffen Award for outstanding educational contributions to cinematography and the recipient of the Technicolor William A. Director of photography Julio Macat, whose credits include Home Alone, was presented with the Kodak Mentorship Award.
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Mark Weingartner, chairman of the ICG national training committee, and a director of photography, VFX supervisor and stereographer, received the Canon Award for advancement of digital film and TV technology. The mentors were Poster, ECA committee chair Jim Matlosz, Jason Pagni of WME, Erin Searcy of The Gersh Agency and Maria Perry of The Skouras Agency.įour special awards were presented at the ECA luncheon on Friday. The ECA is open to any member of the guild who is not already classified as a director of photography, and the films are selected by a panel of ICG members.ĭirector of photography Steven Poster, president of the ICG, related that the weekend’s ECA activities included a mentoring session. 20 at the School of Visual Arts additional presentations are being planned, including one at the upcoming Camerimage cinematography festival in Poland. PHOTOS: ‘Breaking Bad’s’ 20 Most Badass QuotesĪ New York screening of the shorts will follow on Oct. Additionally, Robert Givens, 1st AC for The Ride and Andrew Shulkind, preview system for South Down Orchard received honorable mentions. They are Michael Berlucchi, operator for a film titled 140 Drams Eduardo Fierro, operator for Eleven: Twelve Kyle Klutz, first assistant camera for Vessel Michael Alden Lloyd, 2nd AC for Secret Number VanNessa Manlunas, 2nd AC for King of Norway ? Camrin Petramale, loader for Memoirs of a Parapsychologist Guy Skinner, operator for Your Father’s Daughter and ?T.J.
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“It’s great,” he said, adding that he had not known all that went on to get the movie made.ĭuring the awards ceremony, ICG recognized this year’s ECA honorees and screened their short films. Banks, based around the making of Mary Poppins, which starred Julie Andrews and Van Dyke. That’s just me talking - as a member of the DGA.”Īs he arrived, the actor told The Hollywood Reporter that he had seen Disney’s upcoming Saving Mr.
If you are going to shoot up my nose I don’t want to watch. I think the camera should be a fly on the wall, watching what goes on. “The other thing is the use of the handheld camera. When I saw Jurassic Park, I thought, ‘what a perfectly judicious use of this medium.’ Now it’s the whole movie people get tired of it, I think. “I myself am a Lightwave animator … but I think it is being misused. He also shared a few beefs he has with evolving technology. All performances and videos are completely live, mistakes included. Marc creates a musical illusion playing 9.1 instruments all attached to his body at once. “After that I went to a plastic surgeon and he said, ‘you can’t do it now, you’re established.’ So I just let my nose grow.” Picture the opening of Mary Poppins with Dick Van Dyke as a One Man Band, except playing Classic Rock, Country and Pop songs most people know and love. PHOTOS: ‘Breaking Bad’: 10 Most Mind-Blowing Episodes
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